{"id":132,"date":"2024-10-22T19:52:41","date_gmt":"2024-10-22T16:52:41","guid":{"rendered":"https:\/\/taoproducoes.com\/site\/?page_id=132"},"modified":"2026-04-20T18:59:41","modified_gmt":"2026-04-20T15:59:41","slug":"audiovisual","status":"publish","type":"page","link":"https:\/\/taoproducoes.com\/site\/audiovisual\/","title":{"rendered":"Audiovisual"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"132\" class=\"elementor elementor-132\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6fc7310 e-flex e-con-boxed e-con e-parent\" data-id=\"6fc7310\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-6f8aba8 e-con-full e-flex e-con e-child\" data-id=\"6f8aba8\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-aa70296 elementor-widget elementor-widget-image\" data-id=\"aa70296\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"400\" height=\"400\" src=\"https:\/\/taoproducoes.com\/site\/wp-content\/uploads\/2024\/10\/tao-audiovisual.png\" class=\"attachment-medium_large size-medium_large wp-image-672\" alt=\"\" srcset=\"https:\/\/taoproducoes.com\/site\/wp-content\/uploads\/2024\/10\/tao-audiovisual.png 400w, https:\/\/taoproducoes.com\/site\/wp-content\/uploads\/2024\/10\/tao-audiovisual-300x300.png 300w, https:\/\/taoproducoes.com\/site\/wp-content\/uploads\/2024\/10\/tao-audiovisual-150x150.png 150w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-36b6006 e-con-full e-flex e-con e-child\" data-id=\"36b6006\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-10f080b elementor-widget elementor-widget-text-editor\" data-id=\"10f080b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2><span style=\"color: #808080;\">TAO Audiovisual<\/span><\/h2><p><span style=\"color: #808080;\">A TAO Audiovisual se dedica a projetos autorais de document\u00e1rios, s\u00e9ries televisivas, curtas e longas-metragens para cinema, TV e internet. Realiza tamb\u00e9m eventos nacionais e internacionais e oferece consultoria especializada em comunica\u00e7\u00e3o e produ\u00e7\u00e3o cultural. Atuando em todos os elos da cadeia produtiva, a TAO \u00e9 produtora, distribuidora e exibidora com foco no produtor independente. Atua tamb\u00e9m na forma\u00e7\u00e3o de artistas e t\u00e9cnicos, oferecendo oficinas em todas as \u00e1reas do audiovisual em cursos livres e em parceria com institui\u00e7\u00f5es como a EMCEA (Escola Municipal de Cultura e Arte de Campinas), Prefeitura de Paul\u00ednia, Unicamp que tiveram como resultados, al\u00e9m dos curtas-metragens, dois longas premiados nacional e internacionalmente: os filmes escolas Topografia de um Desnudo de Teresa Aguiar que inaugurou o polo de cinema de Paul\u00ednia e O Crime da Cabra de Ariane Porto que fez parte das comemora\u00e7\u00f5es dos 50 anos da Unicamp.<\/span><\/p><h3><span style=\"color: #808080;\">Conhe\u00e7a nossos filmes<\/span><\/h3><p><span style=\"color: #808080;\"><strong>Longas-Metragens \u2013 Document\u00e1rio:<\/strong><\/span><\/p><ul><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i>\u00a0Vlado \u2013 Trinta Anos Depois, document\u00e1rio de Jo\u00e3o Batista de Andrade (2005)<\/span><\/li><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i>\u00a0Travessia, document\u00e1rio de Jo\u00e3o Batista de Andrade \u2013 co-produ\u00e7\u00e3o TV Brasil (2009)<\/span><\/li><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i>\u00a0Bem-Te-Vi, document\u00e1rio de Ariane Porto (2012)<\/span><\/li><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i> Bye, Bye Desemboque! Lima Duarte e Suas Veredas de Ariane Porto (2021)<\/span><\/li><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i>\u00a0Palavras ao Mar, de Ariane Porto (em finaliza\u00e7\u00e3o &#8211; 2021)<\/span><\/li><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i>\u00a0Mama Minha! de Ariane Porto (em finaliza\u00e7\u00e3o &#8211; 2021)<\/span><\/li><\/ul><p><span style=\"color: #808080;\"><strong>Longas-Metragens \u2013 Fic\u00e7\u00e3o:<\/strong><\/span><\/p><ul><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i> Topografia de um Desnudo, de Teresa Aguiar (2009)<\/span><\/li><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i>\u00a0Bem-Te-Vi, document\u00e1rio, de Ariane Porto (2012)<\/span><\/li><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i>\u00a0O Crime da Cabra, dire\u00e7\u00e3o Ariane Porto (2016)<\/span><\/li><\/ul><p><span style=\"color: #808080;\"><strong>Curtas e M\u00e9dias-Metragens \u2013 Document\u00e1rio:<\/strong><\/span><\/p><ul><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i>\u00a0A Mulher e o Mar Rio Grande do Norte, de Ariane Porto 2005<\/span><\/li><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i>\u00a0Niza de Castro Tank &#8211; As J\u00f3ias da Princesa, de Ariane Porto e Teresa Aguiar (2012)<\/span><\/li><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i> Regina Duarte e o TEC \u2013 As J\u00f3ias da Princesa, de Ariane Porto (2013)<\/span><\/li><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i>\u00a0Silvia Brandalise &#8211; As J\u00f3ias da Princesa, de Ariane Porto (2019) (2021)<\/span><\/li><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i>\u00a0Understand Unbelief \u2013 O Templo de Humanidade, de Ariane Porto (2019)<\/span><\/li><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i>\u00a0Teresa Aguiar, Sempre em Cena! As J\u00f3ias da Princesa, de Ariane Porto (2020)<\/span><\/li><\/ul><p><span style=\"color: #808080;\"><strong>Curtas-Metragens infanto-juvenis: Anima\u00e7\u00e3o, Fic\u00e7\u00e3o e Document\u00e1rio:<\/strong><\/span><\/p><ul><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i>\u00a0Bem-te-vi! Mais de 180 curtas produzidos a partir de 2005<\/span><\/li><\/ul><p><span style=\"color: #808080;\"><strong>S\u00e9ries Televisivas:<\/strong><\/span><\/p><ul><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i>\u00a0Travessia, de Jo\u00e3o Batista de Andrade \u2013 co-produ\u00e7\u00e3o TV Brasil (2009)<\/span><\/li><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i>\u00a0Viva, Cultura, Viva! de Ariane Porto, Miniss\u00e9rie, Minist\u00e9rio da Cultura\/Cenpec (2009)<\/span><\/li><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i>\u00a0Na Sombra da Hist\u00f3ria, de Jo\u00e3o Batista de Andrade \u2013 co-produ\u00e7\u00e3o TV SESC (2013)<\/span><\/li><\/ul><p><span style=\"color: #808080;\"><strong>Reality Show\/Realidade Interativas:<\/strong><\/span><\/p><ul><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i> <strong>Formato:<\/strong> Realidades interativas<br \/><strong>Fase:<\/strong> finaliza\u00e7\u00e3o<br \/>Concebido inicialmente como um reality onde pessoas \u201cnormais\u201d v\u00e3o morar nas ruas de S\u00e3o Paulo e contam com o apoio de \u201canjos\u201d, as filmagens revelaram um novo formato audiovisual: realidades interativas. Baseado nos princ\u00edpios da \u201cauto-organiza\u00e7\u00e3o de sistemas complexos\u201d, pessoas com realidades distintas foram colocadas em contato com objetivos iniciais, que foram se transformando conforme as novas realidades estabelecidas pelo \u201cacaso&#8221;. A proposta inicial foi de que pessoas em situa\u00e7\u00e3o de rua \u201censinassem\u201d a superar os desafios de sobreviver no centro de S\u00e3o Paulo. Esse confinamento \u201cfora\u201d, onde pessoas acostumadas ao conforto e seguran\u00e7a perdem suas refer\u00eancias, busca uma \u201cmudan\u00e7a de lugar do olhar\u201d: o que aconteceria se voc\u00ea tivesse que viver nas ruas?<\/span><\/li><\/ul><p><span style=\"color: #808080;\"><strong>Co-produ\u00e7\u00f5es:<\/strong><\/span><\/p><ul><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i>\u00a0Hazard, de Thomas Szczpanki \u2013 co-produ\u00e7\u00e3o franco-brasileira (2003)<\/span><\/li><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i>\u00a0Viva, Cultura, Viva! de Ariane Porto, Miniss\u00e9rie, Minist\u00e9rio da Cultura\/Cenpec (2009)<\/span><\/li><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i>\u00a0Na Sombra da Hist\u00f3ria, de Jo\u00e3o Batista de Andrade \u2013 co-produ\u00e7\u00e3o TV SESC (2013)<\/span><\/li><\/ul><p><span style=\"color: #808080;\"><strong>Organiza\u00e7\u00e3o\/realiza\u00e7\u00e3o de cursos:<\/strong><\/span><\/p><p><span style=\"color: #808080;\">Mais de 150 oficinas realizadas desde 2002<\/span><\/p><ul><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i>\u00a0FICC \u2013 Fundo de Investimento \u00e0 Cultura de Campinas (2012)<\/span><\/li><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i>\u00a0FICC \u2013 Fundo de Investimento \u00e0 Cultura de Campinas (2013)<\/span><\/li><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i>\u00a0Proac \u2013 Secretaria de Cultura de S\u00e3o Paulo (2014)<\/span><\/li><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i>\u00a0Edital de Co-produ\u00e7\u00e3o Brasil It\u00e1lia (ANCINE, Direzione del Cine de Italia) (2015)<\/span><\/li><li><span style=\"color: #808080;\"><i class=\"ion-android-checkmark-circle\"><\/i>\u00a0FICC \u2013 Fundo de Investimento \u00e0 Cultura de Campinas (2016)<\/span><\/li><\/ul><h3><span style=\"color: #808080;\">Conhe\u00e7a nossos projetos e participe!<\/span><\/h3><h3><span style=\"color: #808080;\">Longas Metragens<\/span><\/h3><p><span style=\"color: #808080;\"><strong>Rapaterra e a Maldi\u00e7\u00e3o dos Rios de Prata<\/strong><\/span><\/p><p><span style=\"color: #808080;\">Fase: capta\u00e7\u00e3o de recursos<\/span><\/p><p><span style=\"color: #808080;\"><em>KARAY e POTY esta\u0303o preocupados. Muitos i\u0301ndios de va\u0301rias aldeias da Amazo\u0302nia esta\u0303o adoecendo. \u201cE\u0301 doenc\u0327a de Jurua\u0301\u201d (homem branco), sentencia Karay. Mas o diagno\u0301stico do Paje\u0301 foi mais aterrorizante ainda: \u201cE\u0301 a maldic\u0327a\u0303o dos Rios de Prata!\u201d<\/em><\/span><\/p><p><span style=\"color: #808080;\">A partir desse mote, nossos hero\u0301is tera\u0303o que enfrentar muitos perigos. Os rios e mares \u2013 polui\u0301dos com metais pesados \u2013 transformaram a bela fauna e flora em terri\u0301veis monstros de prata, mutantes gene\u0301ticos de metal que invadem a Terra em busca de vinganc\u0327a. Em meio a estranhas epidemias, caos clima\u0301tico, ataques alieni\u0301genas, as crianc\u0327as lutam contra o tempo para descobrir o anti\u0301doto que podera\u0301 por fim a\u0300 destruic\u0327a\u0303o em massa que se espalha por todo o Planeta. E descobrem que tera\u0303o que enfrentar mais uma vez o terri\u0301vel Rapaterra \u2013 que dessa vez na\u0303o esta\u0301 sozinho, mas comandando um exe\u0301rcito de zumbis em todo o mundo.<\/span><\/p><p><span style=\"color: #808080;\"><strong>Partitura Rasgada &#8211; Carlos Gomes<\/strong><\/span><\/p><p><span style=\"color: #808080;\">Fase: capta\u00e7\u00e3o de recursos<\/span><\/p><p><span style=\"color: #808080;\">Carlos Gomes sabe que vive seus \u00faltimos dias e quer escrever sua grande obra, aquela que far\u00e1 dele o maior artista brasileiro e coloc\u00e1-lo no pante\u00e3o dos grandes compositores de \u00f3pera do mundo. Enfurnado num casar\u00e3o em Bel\u00e9m ele conta apenas com a companhia de Ver\u00f4nica, sua musa inspiradora. Carlos Gomes trabalha furiosamente. O tempo est\u00e1 se esvaindo e a doen\u00e7a consome sua capacidade de criar. Desistir seria a coroa\u00e7\u00e3o do seu fracasso.<\/span><\/p><h3><span style=\"color: #808080;\">Curtas e m\u00e9dias metragens<\/span><\/h3><p><span style=\"color: #808080;\"><strong>Isso N\u00e3o se Entende, se Vive: Os Bois de Parintins<\/strong><\/span><\/p><p><span style=\"color: #808080;\">Fase: capta\u00e7\u00e3o de recursos<\/span><\/p><p><span style=\"color: #808080;\">Ao lado do desfile das escolas de samba do Carnaval do Rio de Janeiro, o Festival Folclo\u0301rico de Parintins e\u0301 uma das maiores festas populares do Brasil e re\u00fane no \u201cBumbo\u0301dromo\u201d mais de 35 mil pessoas em meio a\u0300 magia do Rio Amazonas. O document\u00e1rio convidar\u00e1 o expectador a trilhar os caminhos da mu\u0301sica e da poesia que embalam as toadas e os cortejos revelando atrave\u0301s de uma linguagem lu\u0301dica e de uma narrativa sensorial, o impacto das relac\u0327o\u0303es estabelecidas pela cultura no cotidiano de uma pequena cidade, que transforma em sonho e magia a dureza e aspereza da vida real.<\/span><\/p><h3><span style=\"color: #808080;\">S\u00e9ries<\/span><\/h3><p><span style=\"color: #808080;\"><strong>Extra Oficial<\/strong><\/span><\/p><p><span style=\"color: #808080;\">Formato: com\u00e9dia dram\u00e1tica<\/span><\/p><p><span style=\"color: #808080;\">Fase: capta\u00e7\u00e3o de recursos<\/span><\/p><p><span style=\"color: #808080;\">Uma delegada linha dura que adora colocar gente rica na cadeia acaba expulsa da corpora\u00e7\u00e3o e abre um escrit\u00f3rio de advocacia. Ironicamente, s\u00f3 quem se interessa por ela \u00e9 a High society paulistana, que precisa de sua experi\u00eancia como policial e de sua falta de limites pessoal para resolver seus problemas antes que eles se tornem p\u00fablicos. B\u00e1rbara se torna um verdadeiro presente de grego para as personagens ex\u00f3ticas do \u201cCondado da Faria Lima\u201d, a classe AAA Paulistana: um cavalo de Troia que pode causar a destrui\u00e7\u00e3o, j\u00e1 que seu senso de JUSTI\u00c7A n\u00e3o tem nada a ver com a ideia comum de DIREITO. E a cada caso resolvido de seus clientes, uma pedra a mais das muralhas do Condado desmorona.<\/span><\/p><p><span style=\"color: #808080;\"><strong>RUA!<\/strong><\/span><\/p><p><span style=\"color: #808080;\">Formato: Realidades interativas<\/span><\/p><p><span style=\"color: #808080;\">Fase: finaliza\u00e7\u00e3o<\/span><\/p><p><span style=\"color: #808080;\">Concebido inicialmente como um reality onde pessoas \u201cnormais\u201d v\u00e3o morar nas ruas de S\u00e3o Paulo e contam com o apoio de \u201canjos\u201d, as filmagens revelaram um novo formato audiovisual: realidades interativas. Baseado nos princ\u00edpios da \u201cauto-organiza\u00e7\u00e3o de sistemas complexos\u201d, pessoas com realidades distintas foram colocadas em contato com objetivos iniciais, que foram se transformando conforme as novas realidades estabelecidas pelo \u201cacaso. A proposta inicial foi de que pessoas em situa\u00e7\u00e3o de rua \u201censinassem\u201d a superar os desafios de sobrevier no centro de S\u00e3o Paulo. Esse confinamento \u201cfora\u201d, onde pessoas acostumadas ao conforto e seguran\u00e7a perdem suas refer\u00eancias, busca uma \u201cmudan\u00e7a de lugar do olhar\u201d: o que aconteceria se voc\u00ea tivesse que viver nas ruas?<\/span><\/p><h3><span style=\"color: #808080;\">Projetos Especiais<\/span><\/h3><p>ECOCINE Festival Internacional de Cinema Ambiental e Direitos Humanos, desde 1992<br \/>Primeiro festival de cinema ambiental do Brasil e \u00fanico a incorporar as quest\u00f5es dos direitos humanos, se prepara para sua 34\u00aa edi\u00e7\u00e3o.<br \/>www.ecocine.eco.br<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-19a68ea e-flex e-con-boxed e-con e-parent\" data-id=\"19a68ea\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div 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